50 years of moving Image

Altman, Lawrence K., « Rare cancer seen in 41 homosexuals », The New York Times, 3 juillet 1981, section A, p. 20.

Arbec, Jules. “Graphisme lumineux.” Vie des Arts 18, no. 71 (summer 1973). https://www.erudit.org/fr/revues/va/1973-v18-n71-va1192838/57825ac/

Bolognesi, Pia, and Meech, Sam. “Ruins, Accident, Glitch: Video Noise and Video Feedback.” Technès Encyclopedia of Film Techniques and Technologies. 2022. https://encyclo-technes.org/en/parcours/experimental/ruins-accident-glitch/5

Bellour, Raymond, Le corps du cinéma. Hypnoses, émotions et animalité, Paris, P.O.L., coll. « Trafic », 2009.

Boyer, Jean-Pierre. “VIDEO: Zoom Out/Zoom In – LET IMAGES REMAIN IMAGES.” n.p., n.d. [1970s]. https://archive.org/details/vasulka10415

Bellour, Raymond, Le corps du cinéma. Hypnoses, émotions et animalité, Paris, P.O.L., coll. « Trafic », 2009.

Butler, Judith, Bodies that Matter : On the Discursive Limits of "Sex", Routledge, 1993.

Crutchfield, James. “Space-Time Dynamics in Video Feedback.” Physica D: Nonlinear Phenomena 10, nos. 1–2 (1984): 229–45. https://archive.org/details/SpaceTimeDynamicsOfVideoFeedback

Doser, Barbara. Video Feedback – Lyricism in Patterns of Light. Vienna: ST/A/R Printmedium, 2010. https://perma.cc/3F53-48KY

Fillion, Eric. “Du Feedback au Vidéo-Cortex: L’image électronique vue par Jean-Pierre Boyer.” Montreal: Hors champ, 2013. https://horschamp.qc.ca/article/du-feedback-au-vido-cortex

Foucault, Michel, « Des espaces autres », Empan, vol. 2, no 54, [1967] 2004.

Furlong, Linda. “Notes Towards History of Image-Processed Video: Steina and Woody Vasulka.” AFTERIMAGE 11, no. 5 (December 1983): 12–17. http://www.vasulka.org/Kitchen/essays_furlong/K_Furlong.html or http://vasulka.org/archive/4-30c/AfterImageDec83(5001).pdf

Grmek, Miko. Histoire du SIDA : début et origine d'une pandémie actuelle, Payot, Collection Médecine et sociétés, 1989, 393 p.

Goss, Carol. “Driven To Abstraction.” Experimental Television Centre, 1998. http://www.experimentaltvcenter.org/drivenabstraction

———. “Evolution Is Relentless: Analog Is but a Dream…” The Squealor (Buffalo Media Resources), winter/spring 2004: 12–13. http://www.improvart.com/goss/evolution.htm

———. ‘Why Abstraction?” 2000. http://www.improvart.com/goss/why_abstract.htm

Hadoke, Toby. “Too Much Information – The Pilot: Show Notes.” Patreon, 2020. https://www.patreon.com/posts/too-much-pilot-44225441

Hofstadter, Douglas. I Am a Strange Loop. New York: Basic Books, 2007.

James, David E., Allegories of Cinema: American Cinema in the Sixties, Princeton University Press, 1989.

Juhasz, Alexandra, « Video Remains: Nostalgia, Technology, and Queer Archive Activism », GLQ: A Journal of Lesbian and Gay Studies, vol. 12, n^o 2, 2006, p. 319-328

Keegan, Cáel M. Keegan, Laura Horak et Eliza Steinbock, « Cinematic / Trans* / Bodies Now (and Then, and to Come) », Somatechnics, vol. 8, no 1 (2018).

Menkman, Rosa. The Glitch Moment/um. Amsterdam: Institute of Network Cultures, Amsterdam University of Applied Sciences, 2011. https://beyondresolution.info/Glitch-Moment-um

Mensah, Maria Nengeh, L'anatomie du visible. Connaître les femmes séropositives au moyen des médias. Thèse présentée comme exigence partielle du doctorat en communication, 2000, Université Concordia

Meech, Sam, Video in the Abyss, mémoire de maîtrise, Manchester School of Art, 2020.

Watney, Simon, Policing Desire: AIDS. Pornography, and the Media, Minneapolis, University of Minnesota Press, 1989, 167 p.

Williams, Linda, « Film Bodies: Gender, Genre, and Excess », Film Quarterly, vol. 44, no 4 (1991).